Tag: Last War: Survival

  • Behind the glitz, we are all quietly waiting for our own warmth and peace

    I have been in this city for a long time, so long that I almost forgot why I came here in the first place. I used to be very young, with some naive and unrealistic dreams, as if everything could become beautiful from this moment. I used to think that life can be planned, love can be found, and even all the suffering and misfortune can fade with the passage of time. However, reality always teaches you a lesson, telling you that all the beliefs and expectations will eventually turn into a breeze and dissipate in the air.

    That day I sat in a cafe with him, the aroma of coffee lingered in the air, and the people around me talked and laughed, as if everything was so natural. However, I could never find a trace of warmth in my heart. He wore a simple white shirt, with clear eyebrows and eyes, and didn’t talk much, but he always had something to say. Such people often make people feel an unconscious sense of dependence. I once thought that such a man might be able to give me a future different from others.

    However, time passed quickly, and I gradually found that he was always late, no one answered the phone, and the agreed things were often changed. He said he was busy, so busy that he had no time to care about anyone, and even too busy to see himself. I understand that in this city, being busy is the norm, and everyone has to deal with pressure from all sides, especially people like him who seem to have achieved some success in their careers. However, behind the busyness is endless emptiness, loneliness that dare not face, and the increasingly unspeakable pain of those emotions hidden deep in the heart.

    One day, I suddenly received a call from him, saying that he had something to do and had to go out of town for a while and might not come back. I sat in front of the window, listening to the cold voice on the other end of the phone, watching the people rushing by on the street, and felt an unspeakable loss in my heart. It was obviously a sunny afternoon, and the sun was pouring in through the glass window, but my heart felt empty, as if all the colors disappeared from my world at that moment. I used to think that this kind of emptiness was only occasional, who knew that it would become the norm in my life.

    I began to become more silent, even a little alienated. Every time I communicate with someone, I say polite greetings, but my eyes are always empty, like an image whose edges have been smoothed by time and environment. I walked on the street, listening to the noisy traffic and seeing people’s hurried steps. Suddenly, I felt that everyone in this city was lonely. No one can really get into another person’s heart. Every relationship is just a self-righteous performance, and in the end, only empty echoes are left.

    Sometimes, I think, if I don’t expect anything anymore, will I no longer feel lost? But I am unwilling to do so. Everyone has a place in their heart that they dare not face, which is the weakest and most vulnerable corner. We often try to cover it up, trying to make it look strong and perfect, and even declare to the outside world that we are mature and rational enough. However, only we know how that fragility is like an invisible thread, quietly pulling our emotions and influencing our lives.

    He left, the person who once brought me warmth and expectations, like a gust of wind, left quietly. I tried to let it go, but I knew I couldn’t do it. Maybe we are just passers-by in each other’s lives after all. Although I have tried to integrate myself into his world and try to understand his busyness and indifference, in the end, I am still powerless to change anything.

    I no longer force anything, and life seems to have returned to peace. Every day, I still live step by step, eating, working, going home, and sleeping, as if everything has returned to the starting point. I began to like this kind of life without waves, at least there is no more annoying concern, at least every night when I go to bed, I will no longer toss and turn thinking about whether he has come back or whether he has missed me. Yes, I will no longer wait. I suddenly realized that perhaps love itself is like a beautiful dream, and each of us meets ourselves in this dream.

    Sometimes, I will stand in front of the window, looking into the distance, and thinking of those days. Those dreams about youth, about the fantasy of love, about the life that I once hoped for, seem to have quietly disappeared in the passage of time. I think that probably everyone’s life cannot escape such a journey: from enthusiasm to indifference, and then to willing cooling.

    Yes, I began to learn to let go and learn to reconcile with myself. It turns out that life does not need too much prosperity and bustle, it only needs a calm heart and inner peace. In this city, although there are still people coming and going and the lights are brilliant, I no longer crave those empty things. I learned to calm myself down, listen to the voice of my heart, understand my loneliness and loss, and learn to reconcile with my past self.

    Perhaps, I will continue to be lonely, continue to walk in this world, and continue to experience the warmth and coldness of love and the ups and downs of life. But I know that no matter what the future holds, I will keep a peaceful heart, live comfortably, and live truthfully. Those expectations in the past are no longer important. What is important is that on this long road, I have learned to live with myself and to find my own warmth and peace.

  • From the complexity of Mingchao Xiakong’s materials, the contradictions of modern game design and the irony of players’ moods

    In the vast universe of today’s electronic games, Mingchao Xiakong, a new five-star resonator, is undoubtedly a love-hate existence for players. The complexity of her cultivation materials is like the red tape in ancient officialdom, which is so complicated that it makes people crazy, but it is unbearable. The progressive progression of low-frequency tidal eclipse sail cores, mid-frequency, high-frequency and even full-frequency not only reflects the ingenuity of the game production team, but also exposes the designer’s strict requirements on players’ time and patience. Reading it is like flipping through a thick and detailed ancient book, which makes people tired but can’t help turning pages.

    Look at the astonishing numbers: 29 low-frequency tidal eclipse sail cores, 40 mid-frequency, 52 high-frequency, 61 full-frequency, increasing layer by layer, just like what Mencius said, “A family that accumulates good will surely have a surplus of happiness”, but this surplus of happiness in the game turns into a long night that exhausts the players’ energy. Why is it so? This is nothing more than a tug-of-war between designers and players. The former regards “patience” as currency, while the latter often torture themselves in the continuous collection of materials. How sad!

    What is even more amusing is the various names of materials, such as “Burning Phosphorus Bone” and “Golden Fleece”. The names are incredible, full of fantasy poetry and a certain cruel reality. Only by defeating the Sighing Ancient Dragon can you obtain the Burning Phosphorus Bone, just like the “high wall is difficult to cross” in life. Only by struggling and fighting can you win the crown; and the Golden Fleece is a rare material obtained from the Lina Xi Tower or the pharmacy store with limited purchases, just like the meager but unattainable beauty in life.

    Turning our attention to the materials of Xia Kong’s exclusive weapons, called “shackles”, the levels range from simple shackles, basic shackles to modified and special shackles, one ring after another, like the ancient fetters, which reminds people of the saying “shackles do not solve people’s confusion”, and the irony is overwhelming. Upgrading a special weapon seems to be a kind of power gain, but the name actually implies “shackles”, which undoubtedly reveals the other side of the game’s growth path – restraint and control.

    The various crystallized phlogists that frequently appear in the game, from impurities, crude extraction to distillation, high purity, are advanced one by one, which is not only a test for players, but also a design ingenuity of the in-game economy. Players seem to be in an alchemy laboratory, gradually purifying, but they can’t help but feel irritated – in the face of endless accumulation of materials, who can keep their original intentions?

    Furthermore, the day when the iris blooms is a key material, which must be obtained by defeating the weekly challenge of “Wheel of Fate”. Its setting is like the extremely rare flower of opportunity in life, which is fleeting and can be missed if you are not careful. This reflects the dual requirements of contemporary game design for players to “invest time” and “control opportunities”, which is actually a touchstone for players’ endurance.

    The recharge system and discount code promotion are undoubtedly proof of capital logic. Players are lured to keep paying out of their pockets in exchange for growth and glory in the virtual world. The “shell money” in reality is transformed into “strength” in the game. It is a pity that the world is going downhill, and the game has become a microcosm of the “modern capital game”. Players put coins in the virtual world to take things, just like the peddlers in the ancient market, laboring in exchange for things, which is quite ironic.

    It is worth mentioning that “stuffed meat tofu”, this seemingly simple prop, carries the secret of the rhythm and efficiency of the game. Using it can increase the material drop efficiency by 50% within 30 minutes, just like the “quick success method” in life, which brings a little comfort to anxious players, but also intensifies the rhythm of the game, making “slow life” a luxury.

    In short, the material design of Mingchao Xiakong is not only the crystallization of game industry technology and commercial interests, but also a huge test of players’ time and endurance. It reminds people of the “siege” mentality described by Qian Zhongshu: players are eager to grow and become powerful, but are firmly bound by layers of complex systems, and are in a dilemma.

    Therefore, the growth path of Mingchao Xiakong is a microcosm of modern game design – it not only gives players the freedom of fantasy, but also limits players’ freedom with tedious tasks and materials. Players run around in the game world, just like scholars in classical literature, hesitating between ideals and reality. If you can treat this complexity with a humorous and calm attitude, you may be able to truly experience the fun brought by the game, instead of being drowned by the torrent of numbers.